Michael Herr wrote in “Dispatches”, “I was already down at the strip waiting for a helicopter to come and take me out of there… At one lz the brigade chopper came in with a real foxtail hanging off the aerial… “Best way’s to just keep moving,” one of them told us. “Just keep moving, stay in motion, you know what I’m saying?” We knew. He was a moving-target-survivor subscriber, a true child of the war, because except for the rare times when you were pinned or stranded the system was geared to keep you mobile, if that was what you thought you wanted. As a technique for staying alive it seemed to make as much sense as anything, given naturally that you were there to begin with and wanted to see it close; it started out sound and straight but it formed a cone as it progressed, because the more you moved the more you saw, the more you saw the more besides death and mutilation you risked, and the more you risked of that the more you would have to let go of one day as a “survivor.” Some of us moved around the war like crazy people until we couldn’t see which way the run was even taking us anymore, only the war all over its surface with occasional, unexpected penetration. As long as we could have choppers like taxis it took real exhaustion or depression near shock or a dozen pipes of opium to keep us even apparently quiet, we’d still be running around inside our skins like something was after us, ha ha, La Vida Loca. [Source: Michael Herr, “Dispatches”, Knopf, 1977]
“In the months after I got back the hundreds of helicopters I’d flown in began to draw together until they’d formed a collective meta-chopper, and in my mind it was the sexiest thing going; saver-destroyer, provider-waster, right hand-left hand, nimble, fluent, canny and human; hot steel, grease, jungle-saturated canvas webbing, sweat cooling and warming up again, cassette rock and roll in one ear and door-gun fire in the other, fuel, heat, vitality and death, death itself, hardly an intruder. Men on the crews would say that once you’d carried a dead person he would always be there, riding with you. Like all combat people they were incredibly superstitious and invariably self-dramatic, but it was (I knew) unbearably true that close exposure to the dead sensitized you to the force of their presence and made for long reverberations; long. Some people were so delicate that one look was enough to wipe them away, but even bone-dumb grunts seemed to feel that something weird and extra was happening to them.
“Helicopters and people jumping out of helicopters, people so in love they’d run to get on even when there wasn’t any pressure. Choppers rising straight out of small cleared jungle spaces, wobbling down onto city rooftops, cartons of rations and ammunition thrown off, dead and wounded loaded on. Sometimes they were so plentiful and loose that you could touch down at five or six places in a day, look around, hear the talk, catch the next one out. There were installations as big as cities with 30,000 citizens, once we dropped in to feed supply to one man. God knows what kind of Lord Jim phoenix numbers he was doing in there, all he said to me was, “You didn’t see a thing, right Chief? You weren’t even here.” There were posh fat air-conditioned camps like comfortable middle-class scenes with the violence tacit, “far away”; camps named for commanders’ wives, LZ Thelma, LZ Betty Lou; number-named hilltops in trouble where I didn’t want to stay; trail, paddy, swamp, deep hairy bush, scrub, swale, village, even city, where the ground couldn’t drink up what the action spilled, it made you careful where you walked.
“Sometimes the chopper you were riding in would top a hill and all the ground in front of you as far as the next hill would be charred and pitted and still smoking, and something between your chest and your stomach would turn over. Frail gray smoke where they’d burned off the rice fields around a free-strike zone, brilliant white smoke from phosphorus (“Willy Peter/Make you a buh liever”), deep black smoke from ‘palm, they said that if you stood at the base of a column of napalm smoke it would suck the air right out of your lungs. Once we fanned over a little ville that had just been airstruck and the words of a song by Wingy Manone that I’d heard when I was a few years old snapped into my head, “Stop the War, These Cats Is Killing Themselves.” Then we dropped, hovered, settled down into purple lz smoke, dozens of children broke from their hootches to run in toward the focus of our landing, the pilot laughing and saying, “Vietnam, man. Bomb ‘em and feed ‘em, bomb ‘em and feed ‘em.”
“Flying over jungle was almost pure pleasure, doing it on foot was nearly all pain. I never belonged in there. Maybe it really was what its people had always called it, Beyond; at the very least it was serious, I gave up things to it I probably never got back. (“Aw, jungle’s okay. If you know her you can live in her real good, if you don’t she’ll take you down in an hour. Under.”) Once in some thick jungle corner with some grunts standing around, a correspondent said, “Gee, you must really see some beautiful sunsets in here,” and they almost pissed themselves laughing. But you could fly up and into hot tropic sunsets that would change the way you thought about light forever. You could also fly out of places that were so grim they turned to black and white in your head five minutes after you’d gone.